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Daria Solar | 2022 Year in Review

December 29, 2022 Didi Menendez

The most important theme in her painting is the symbolically treated man-machine relationship. Ambiguous characters, entangled in relations with artificial intelligence, reflect the challenges, threats, but also the successes of modern science. The most classic series is Mythology - Reactivation, where the artist explores modern social and partner relations, inspired by motifs from ancient mythologies recreated by sensual, naked figures. The artist also shows the micro-world of the interiors of our computers in the painting cycle - Interior Landscapes. Here, neo-abstract, three-dimensional worlds intermingle with the metal kingdom of components, showing the beauty and mystery of our electronic friends.

Daria Solar is a teacher and artist living in Łódź, a member of the team of artists who created the Oscar nominated animation "Loving Vincent". A graduate of English studies and the Artistic Computer Graphics at the College of Information Technology in Łódź. Her main artistic mentors are Professor Ryszard Hunger and Professor Grzegorz Chojnacki.

What were some of the highlights in your art career?

My 2022 started with my painting being accepted to “MOD Portrait 2021” catalogue by Barcelona's MEAM Museum. Soon came my big individual show in the Museum of the Factory in Lodz, which resulted not only in a professional catalogue made available online, but also a cooperation with Maciej Kawecki, EU’s technology ambassador and the CEO of the institute “Poland of the Future” - a prominent foundation promoting technology and ecology. Then I had my painting published in Fine Art Connoisseur magazine, and four of my works were accepted to “Lunar Codex” program. September brought my solo show at Krakow's “Bomba Megabitowa 2” Conference, which I regard a great achievement, as it is the Institute “Poland of the Future” foundation’s key educational event of the year which connects people of science, ecology, art and media. 

Was 2022 a good year for you? 

Considering the highlights above, I believe 2022 was an exceptionally good year. However, to be honest, I am more satisfied with my ecology-focused paintings that I completed this year, than with all the other things. Creating art is the reason why I live, much more than competitions or exhibitions, and they are my artworks that are my driving force. 

Daria Solar

Bowing Tulips, 2021

Oil on canvas

15 7/10 × 27 3/5 in | 40 × 70 cm

What were some of the pitfalls?

Well, being an ‘engaged artist’ commenting on technological, social and political events, it is hard to ignore the key event of 2022 – war in Ukraine – that has been shaping our world, especially when you are a citizen of a country bordering war-zone, as I am living in Poland. Here, with a crisis caused by some failed economic decisions of our government, and worsened by war just a day’s drive away, the art market has already suffered a blow, and it is hard not to be anxious about the future. 

How has social media affected your daily practice?

Sadly, publishing online is a burden, but an indispensable one. I fully appreciate its marketing capability, yet...it takes my attention off my art. I often feel disappointed that I forgot to film the start of my work. My dream would be to have it done for me. 

What are you looking forward to in 2023?

I have been working on a few new, meaningful paintings for my "Electric Beings" series, I can’t wait to see them finished. I am also planning to participate in a number of competitions that I am really excited about. Moreover, the massive Multimedia Vincent van Gogh Exhibition that I curate will be shown in Lodz – my home city in Poland – and it will be not only a great marketing opportunity, but an occasion to meet friends and show my work to my kin. And finally, in December the Lunar Codex launch with my digitised artworks onboard is planned, it will be a great celebration for me as some of my futurological paintings will be placed on the Moon.

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← Katarzyna Adamiak–Jaśnikowska | 2022 Year in ReviewVictoria von Kap-herr | 2022 Year in Review →

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